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UAF
Goes Clubbin' "I'm gonna be in the movies" |
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"There
were so many times when we shouldn't have made it," UAF Film Club President
Paul Gentemann confides while sifting through a disarray of mini-DV tapes.
"But the [Film Club] survives. It's
a survivor. Like something that needs to survive in hard-to-survive-in
conditions. That's us.
I picture a large pigeon-like creature.
Hulking, really." Gentemann
can tell you that it takes levity to survive the task of organizing one of UAF's
premiere liberal arts venues. After
taking on the responsibility last spring due to the departure of previous media
magnate Lou Logan, Gentemann is already showing signs of wear and tear.
"I
think I got a little too ambitious last semester. I wanted things to go perfectly.
This semester's all about balance." The UAF Film Club, fully formed (with the guidance of Pat Race) from the residue of the Alaska Renaissance Project in 2000, has seen its share of ups and downs. "The festival has gone from a packed house at Regal Cinemas one year to half an audience at Schaible the next. People forget, people get lazy, and sometimes, only sometimes, even we fall behind," says Gentemann. The
festival mentioned refers to a once-a-semester screening of all film entries by
students, faculty, and the general public for the academic session.
Each submission is reviewed by club officials and potentially chosen for
inclusion within the tightly crammed two-hour event.
Gentemann explains. "Two
hours is all people can stand. Even
if it's their own stuff up on the big screen, our folk tend to be easily
distracted." While
originally intended as a more subdued collection of shorts, the Film Festival
has grown far beyond initial parameters. Today,
the Film Club has sponsored over sixty works, locally produced almost thirty
hours of entertainment, and even boasts its own feature length movie. "We're
trying to create more competition this time around," says an eager
Gentemann. In addition to the
coveted Wooden Oscar (recognition for the most audience beloved film), the
organization will be attempting a trophy system for a variety of categories (ex.
Best Actor, Best Editing, etc.). Gentemann
continues, "We've tried all sorts of rewards.
I'd like to think that the experience is gift enough, but it's important
for people to feel like their work is being acknowledged and respected." In
addition to awards, the Film Club will be looking to put the festival back in
Regal Cinemas after a one-year hiatus. Rampant
price increases have been pegged as the cause of this prolonged leave. "We're
the only local group doing this sort of thing as far as I know.
They should be supporting us instead of us begging for a time slot to the
tune of $600 or more," Gentemann challenges. "Hopefully, with the help of Club Council and some
creative fundraising, it should happen this semester." The
first meeting for the club, held last Friday in the Gruening Building, yielded a
large number of first-time freshmen excited about the year's prospects. "With the equipment gained from a recent TAB grant, no
one has any excuse not to try their hand at filmmaking."
Gentemann,
looking wistfully into the sunset, leaves his parting adieu, "I'm not a
perfect man. I've touched things
that make my soul ache. I won't
deny it. But I have a camera.
And that camera is large and pretty.
Whatever path lies ahead for me, you can rest assured that it will be
caught on film."
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