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  • Last Update: 05.05.05
  • © 2005 UAF Student Drama Association.
  • Website originally built by Brandon Seifert & maintained by Rachel Blackwell
  • SDA showgirl above by George Petty, found at ScanDolls.com.
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  • SDA Winter Shorts:  Spring 2005 (February)

    The Spring 2005 Shorts were presented in the UAF Lab Theatre, Friday & Saturday February 25, 26, March 4, & 5 at 8:15pm, and Sunday February 27 and March 6 at 2pm. The Spring '05 Shorts were: Want to read the reviews? Fairbanks Daily News-Miner - UAF Sun Star

    "One Tennis Shoe" By Shel Silverstein
    Directed
    by Tom Creek
    "One Tennis Shoe" takes place at a curbside cafe while a married couple tries to deal with the age old problem of when is enough enough.
    Shoe Shoe Shoe Shoe
    CastCrew
  • Sylvia: Rachel Blackwell
  • Harvey: Brandon Greenstreet
  • Waiter: RP Staska
  • Stage Manager: Audrey Gibson
  • Set Designer: Tom Creek
  • Costume Designer: Alexandra Sattler
  • Lighting Designer: Matthew Krell
  • Sound Designer: Joe Alloway

  • "Sorry" By Timothy Mason
    Directed
    by Abrah Fawvor
    "Sorry" by Timothy Mason, explores the conventions of finding love in the contemporary world. Two lonely New Yorkers Pat and Wayne coast through life in an uncaring and unloving world. It is no wonder that they should "find" each other. The short play delves into the odd nature of love, which we can all find a way to relate. Whether we are falling in love, avoiding love, or looking for love, we must all come to realize that love is in our life whether we want it or not, just like Pat and Wayne.
    Sorry Sorry Sorry Sorry Sorry Sorry
    CastCrew
  • Pat: Rachel Blackwell
  • Wayne: Joe Alloway
  • Stage Manager: Fiona Lundquist
  • Set Designer: Abrah Fawvor
  • Costume Designer: Alexandra Sattler
  • Lighting Designer: Matthew Krell
  • Sound Designer: Joe Alloway

  • "Come and Go Mad" By Frederic Brown
    Directed
    by Carey-Taylor Seward
    One science Friday, the radio had featured a specialist of the duck-billed platypus. He spoke animatedly about all the eccentricities of the species. Then his voice became forlorn as he said that there is no data on the mating habits of the platypus. No one wants to fund research on this unprofitable species. He said our culture is so focused on things like politics that the platypus doesn't stand a chance of recognition. What is forgotten when we focus on the prevalent obsessions of our culture? What is there all along that we choose not to see? It is hard to articulate feelings and knowledge that are simply incongruous with the world you live in. It is complicated and isolating to remove yourself from the comfort of your patterns to seek the truth you know must be out there. Sometimes the truth is horrifying, nauseating, and unthinkable, but isn't it better to know?
    Come and Go Mad Come and Go Mad Come and Go Mad Come and Go Mad Come and Go Mad Come and Go Mad Come and Go Mad Come and Go Mad
    CastCrew
  • George Vine: Craig Brookes
  • Candler: Chip Brookes
  • Charlie Doerr: Jeff Aldrich
  • Clare: Emily Yates
  • Dr. J.E. Irving: Jon-Kiefer Bowne
  • The Instrument: David Fields
  • Baroni: Jennifer Schlotfeldt
  • Bassington: Ben Coffroth
  • Guard: R.P. Staska
  • Butoh Performers: James Bartlett,
    Ben Coffroth, Jennifer Schlotfeldt,
    Carey-Taylor Seward, R.P. Staska,
    Jessica Storck, Molly Corcoran Wilson
  • Stage Manager: Ben Coffroth
  • Set Designer: Carey Seward
  • Assistant Director: David Fields
  • Choreographer: Ben Coffroth
  • Costume Designer: Carey Seward
  • Lighting Designer: Matthew Krell
  • Sound Designer: Joe Alloway
  • Photographs by Kade Mendelowitz