About the Building
Museum Expansion - The Vision
Nationally recognized architect Joan Soranno and the GDM/HGA architectural team designed the building to convey a sense of Alaska, with innovative lines and spaces evoking images of alpine ridges, glaciers, breakup on the Yukon River and the aurora. As visitors arrive in Fairbanks by air, rail and road, they will see this striking addition to the Fairbanks skyline, certain to become one of Alaska's major cultural landmarks.
Light filled spaces welcome and inspire scholars, visitors and staff with expansive windows that highlight the spectacular views of the Alaska Range, Denali and the Tanana River Valley. Inside, Alaska's treasures are protected and conserved - hundreds of thousands of biological, geological and cultural history specimens that tell our state's rich history and help us protect its health and well-being. Visitors to the expanded University of Alaska Museum of the North will enjoy entirely new experience - one not replicated elsewhere.
Rose Berry Alaska Art Gallery
Just as the dramatic architecture of the expanded museum will convey a sense of Alaska, the Rose Berry Alaska Art Gallery will interpret art as an expression of the Alaska experience. Ancient ivory carvings, coiled grass baskets and other Alaska Native artworks will be featured side by side with historical and contemporary paintings and sculptures. Seattle-based Lehrman Cameron Studio's interior gallery design resonates with the building's architecture and provides a flexible space for the museum's collection and exhibit installation. The Rose Berry Alaska Art Gallery opened May 1, 2006.
The Grand Lobby
The lobby is graced with magnificent architecture and the floating staircase next to the expansive two-story Alaska Range Viewing Window, which offers Fairbanks' best view of the Alaska Range and the Tanana Valley.
On the museum's main level is an installation from the fine arts collection featuring as many paintings as fit on the walls by beloved Alaska artists like Sydney Laurence, Ted Lambert, Eustace Ziegler and others. These are historic landscape paintings and portraits. The community's desire to have these works on display was a driving force in the expansion project. The gallery gives visitors and students a chance to see how the artists' style developed over the years.
The Place Where You Go to Listen
An original and ever-changing sound and light environment composed by John Luther Adams, The Place Where You Go to Listen will give voice to the rhythms of daylight and darkness, the phases of the moon, the seismic vibrations of the earth and the activity of the aurora. The Place opened March 21, 2006.
Located in the upper level above the Museum Café, this sitting area features coffee tables and art books and some works from the museum's collections. This area gives visitors a place to relax and absorb their gallery experience while enjoying the architecture in the new wing, solving the problem of "museum fatigue."
Arnold Espe Multimedia Auditorium
In summer, the museum will offer its multimedia programs Dynamic Aurora and Winter in the new 125-seat auditorium. During the academic year, the museum will present lectures, film series and performances in the auditorium. Retractable seating makes the auditorium a multi-purpose room that can be used for sit-down dinners, workshops and other events.
Expanded Museum Store
In its expanded space the store offers a wide variety of high quality artwork, jewelry and educational merchandise. All items relate to the museum's collections and all proceeds support the educational and research mission of the museum.
Education Center & University Classroom
A new K-12 classroom serves as a base of operations for docent-led school tours, family programs and other youth activities. The new university classroom allows the museum's faculty curators to incorporate museum specimens into their courses without taking the collections out of the museum's climate-controlled environment.
Research Collection Labs
The new wing features new state of the art research labs for each of the museum curatorial departments. Cabinets and equipment in each lab are tailored to the department's unique needs.
Expanded Collections Range
The expanded area provides more space for the museum's growing collections of artifacts and specimens. Each collection has its own unique shelving arrangements. Movable storage units expand collections space by approximately 30% by eliminating aisle walkways between each row. To protect the collections, strict temperature and humidity controls are maintained in the collections range.
Alcohol Collection Room
This specialized room with enhanced air exchange will keep biological specimens stored in alcohol separate from the rest of the museum's research collections. The shelving systems have been designed to protect the glass specimen containers in an earthquake. In the event that containers do fall on the floor and break, the alcohol will drain into a vault buried beneath the room. A specialized panel on the outside wall is designed to "blow-out" in an explosion, minimizing potential damage to the museum's collections and exhibits.
Specimen Preparation Labs, located adjacent to the loading dock, give researchers work space for initial specimen processing. The Ancient DNA Lab enables researchers to extract minute quantities of ancient and degraded DNA from specimens without fear of contamination from other sources of DNA. Access is restricted to minimize incidental contamination.Image Lab features microscopes linked to cameras and computer stations, making it possible for staff and students to capture digital images of objects from the museum's collections. Molecular Lab is a shared facility for processing specimens for DNA analysis and setting up DNA amplification experiments.